Literature 1 – Making sense of Drama, A
guide to classroom practice by Jonothan Neelands.
As my idea for
my inquiry is the transition from practitioner to teacher I thought I’d look
into articles or books that related to this topic. Whilst conducting research
in my local library I came across, “Making
sense of drama, a guide to classroom practice” by Jonothan Neelands. It was
first published in 1984 by Heinemann Educational Books Ltd.
This book is
designed to give teachers from all subject areas an insight and confidence to
explore the possibilities of drama in the classroom. It helps practitioners to
plan and evaluate drama lessons as well as exploring the relationship between
classroom drama and performances.
I thought that
this book was an interesting find and would be useful when I carry out my
inquiry because I want to pursue a career in the education world, whether that
be in primary or secondary teaching. As I have mentioned previously, I
currently teach a Saturday drama class at a dance school but this book
highlights the attitude of a teacher in an educational setting.
A direct quote
from the book is, “Drama (in the
educational context) is not as concerned with the transmission of
theatre-skills as it is with the construction of imagined experience. Imagined
experience (controlled by the conventions of game and theatre) is seen as being
particularly efficient context for children to try out and experiment with new
ideas, concepts, values, roles and language in action (i.e. in the situational
context in which they would naturally occur). Drama is to do with the child
experiencing rather than with the child performing.” This also relates to
my inquiry as I wanted to explore if a performer had any skills that could be
transferred to a teacher role. It states that though the skills are important
it isn’t as important as imagination.
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